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​Simple 5 Tricks to Make Beautiful Scenery Canvas Painting Pictures

Simple 5 Tricks to Make Beautiful Scenery Canvas Painting Pictures


No.1 Make full use of gold shooting time

The light of the sun is high, it is very strong, but it is as close to the horizon, the light becomes warmer. Sometimes the best lighting landscape canvas prints photography is a day of dawn and dusk. After sunrise, sunset before the sun for photos with a layer of warm color, achieve the effect of low contrast. The downy light can make the film and digital sensors record pictures of all the details in this of great benefit to those details rich scenes. Low Angle of the sun can produce soft projection; can show the shape and texture of the earth. In the light of the changes in the short time has a far-reaching effect on the photo canvas scenery photography. Spend some time in the sun when strong go out looking for the right point, to stay later or the next day to shoot again in the morning.


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Take this picture in the dusk of the evening, so I can see the warm, low angle sun shining in the beautiful house. The angle of light can also show the texture of stone, roof and pebbles. As the sky is falling, the sky is falling; the effect of the light is amplified. The rain drops are shining in the sun, but the exposure time is long, and there is no record in the film. Light from the wet surface of the pebbles makes the picture bright. Light rain and the light of the evening together, such a situation is not much, but very effective for the photo added a charming atmosphere.


No.2 Take advantage of low angle of the light

For large canvas prints scenery photography, is a magic moments before sunrise and after sunset, when the soft light and color can create quiet and easy and comfortable atmosphere. In cloudy, cold blue light have such effect, but the cloudless day, color from yellow to purple. Find the places where have a lake, river, beach, which, when taken pictures of the color of the sky can be the water reflection to prospects. When shooting in the mountains and watch the mountain sunlight, it can give mountain peaks, covered a layer of soft red light. Because of many modern cameras electronic exposure system can only be set up to 30 seconds, metering is not accurate enough. This means that you will have to turn to the old way of exposure (using the B door), use the shutter release and a stopwatch. Exposure time can be extended to a few minutes, so it's very important to have a pair of strong tripod.


The above canvas photo due to high tide, I know this piece of the pebbles on the beach today will be very dry. For this reason, I carry a water tank, so that I can prepare a small piece of this wet place prospects. The wet pebbles reflect the color of the sky, making the future brighter. This photo was taken in 30 minutes after sunset in mid December. My shooting position is very low; the camera is almost close to the ground, so that the prospect of the pebbles will increase the sense of space. In order to obtain enough depth, I use a small aperture, low angle illumination; low speed of the film, the exposure time was 4 minutes. In order to contrast with the warm orange sunset on the horizon, I did not use the color compensation filter to remove the blue light. Exposure rate of reciprocity failure, need to add 1.5 to compensate.


No. 3 Closely observe the sky

In the print on canvas scenery photography, the sky is a very important factor. However, for the picture unless it can increase the positive factors or can improve composition, otherwise don't shoot into the picture. Because the prints on canvas scenery photographers like in one day in the morning and evening, in order to get the best effect of light, we have seen some of the most spectacular sky - change quickly, suddenly a burst of color and light changes. To seize every opportunity, we must closely observe every change of the sky, it is very important. Because sky scenery canvas pictures itself or the foreground color to light, so you want to use in gray gradient filter to control the contrast, otherwise, the film is may not be able to record enough detail. Polarizer can also be used to control the contrast, make the shape of the clouds highlight, color saturation.


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When I arrived at the lake in Scotland, in the afternoon, in the blue sky is very clear. However, less than an hour and a half, the east began to appear incomplete, and then quickly covered the sky over my head. Just before sunset, the light of the sun finally began to add some subtle colors to the cloud. Fortunately, the air is still, the surface of the lake is also modest, caused the colorful sky mirror effect. No help, gray gradient filters in accurate record on color reversal film this scenario is impossible. In this photo, I use the density of 2 against the hard edge of filter, starting from the distant horizon. When filming reflective surface, due to the reflective surface should be better than light surface color is light, choose the right density of the filter is very important.


No.4 to prepare for a fleeting light

Some scenery canvas painted photographs memorable; they are mostly in fleeting evanescent light from the overcast sky projected shoot. Sometimes, the best opportunity is a sunrise or a sunset, this short moment, the sun is near the horizon, usually there will be a spectacular color of the sky. The best way to record such a flash is to make a plan for the shooting, to select a location, and to study the angle of the light, and to choose the best one. It is best to use the meter, in the Lake District choose the light of the sun; local photometry to determine the brightness level, the camera set the photometric data, recompose, shooting several! So that sunlight place would be the correct exposure, and there is no sunlight is darkened, so as to capture the scene initially impress your flash point.


No.5 Control the glare

When shooting in the composition of the light can dramatically enhance the atmosphere in the photo. Zoom lenses are more prone to glare, easy to use, the use of fixed focus lens. The optical images of the surface should be clean and free of scars, less use of filters. If the composition of the sun, the hood many not eliminate glare effectively. The best hand or a piece of cardboard to block the lens, the camera is installed in the three foot shot. When using a telephoto lens, it should be possible to use a distant projection over the shadow across the foreground part -- the farther away from the camera, the shadow line clearer. If there is a sun in the picture, try to hide it in a tree or other similar elements. We must try to avoid the effects of the sun in the foreground elements, or affect your use of filters.

24th Nov 2015

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