Tips of take good photographs
Good images have many features that are technically or ideologically correct, such as clear focus, moderate exposure and covering the dynamic range of the scene, composition that most people find satisfying, and even thematic choices. These and many other techniques are not to be overlooked photographic basis, the most important is to understand the composition, lighting, and other principles. Photographers who have mastered these principles can use them freely to create. The technique of post-processing is perhaps most obvious in photographs. Pictures of great skill can be praised only for their skill.
2.Arouse the audience's reaction
A good photographic work can stimulate the visual, thus making the audience respond with interest. Maybe not everyone, but enough people should be able to produce a reaction that suggests the image is attractive. If the audience's first reaction is "I've seen pictures like this before," then the piece fails. This may be a cruel judgment, and photographers want their images to be viewed, noticed and discussed, provided they stimulate the viewer and provoke their thoughts. Problems arise when a photographer tries to guess the audience's response to a photograph that needs to be creative. Focusing too much on how the viewer responds to the photo can lead to failure, and the photo can appear too pretentious and too obvious to be liked. The viewer wants to see something new through the photographer's imaginative eyes. However, if people think photographers are simply trying to please them, they often feel cheated.
3.Produce the multi-level feeling
A good photographic work provides the audience not only with direct and obvious images, but also with multi-layered effects. In other words, watching good photography can give people a multi-layered experience. Among the various arts, photography is the most prominent in this respect, because it has a natural contradictory relationship with authenticity. Photos are about life. They can't be separated from life. In terms of creativity, photographers can make good use of this relationship. The photographer has two frames of reference to express and explore, but this requires creation and cognition. It's a basic requirement to strike a chord with the audience. People like to discover, they want to be stimulated, and they are interested in finding relationships and discovering deep things. Being too explicit is a more serious misstep than being vague and obscure, because it is an insult to the viewer's intelligence. It's hard to take a second look at an explicit, unspoken, nothing else, and certainly not to like it. Finally, these multilayered feelings and views come with unexpected and unpredictability. While the above may feel like all successful photography was conceived from the start, there are many excellent photographs that were created without the photographer's first awareness.
4. Contain its own photography background
The understanding of images that are already in the public eye is the premise of good photography. As mentioned earlier, when a piece of work shows pandering to the audience, it is in danger. But photography is deeply embedded in the present, it's part of everyone's everyday vision, so it must have its cultural context. Photography has an inherent contemporaneity, and most people like photography related to the here and now. The photographs of the 19th century belong only to the 19th century. They are fascinating and precious, but they do not belong to the present. Mature photographers know where their images fit in with other people's backgrounds. Some photographers try to emulate others, or at least stay in the same direction as others. Others, by contrast, distance themselves from certain photographers. However, these photographers will realize that the viewer is likely to view his work in a wider context. For example, a photographer who chose to take still life and believed that his work would contribute to still life photography, but they could not escape Paul
A true work of art must have some depth of thought. The idea in a photograph may be a superficial way of composition, or a more profound idea. It can even surprise the photographer who checks the picture, but the picture still needs something to make people understand its imagination. In fact, this is particularly important for photography, because photographs can be taken without any thought. Like any other art, the success of photography can be attributed to its "lowest common denominator." Many photographic works that are considered successful will also be regarded as superficial by some. It is also difficult to take photographs that are sold to photo libraries through agents, and they tend to be less thoughtful.
6. No imitation
This page has long been a point of view that every art should focus on its excellence rather than on imitating other art. Clement greenberg, an influential art critic, wrote that "the only and proper sphere of competence of each art" was "the essential uniqueness of its medium" and that no art should borrow from other art in order to remain "pure". Therefore, good photography should not try to imitate other arts, or at least to be ironic in imitation. Photography should explore its own medium, which means photographers need to have a clear understanding of what photography is good at. Besides, a good photographic work should not imitate other works, but show its new features in as many images as possible. As a result, documentary photography excels, giving rise to a style that emphasizes clarity, objectivity, calmness and non-personal expression. The documentary with personal expression and capturing emotional moments is another creation method that also depends on the uniqueness of photography. Another feature of the media of photography is its unique optical features, such as glare, focus, dynamic blur, reflection and projection, which all provide rich possibilities for photography creation. This is partly because the camera can easily capture these features, and partly because they are illusory, like the photos themselves.